There was a real design moment in the American Southwest almost a hundred years ago — Art Deco's confidence colliding with adobe walls and Spanish tile, train depots and grand hotels built with more ambition than the desert around them expected. Pueblo Deco, if you want the real term for it. Half geometry, half terracotta.
We've been circling that moment for a while now, and this month we're finally moving in.
The Golden Age wallpaper is the part that's been standing the whole time — a little weathered, maybe, but standing all the same. A fan-and-arch repeat in champagne, tan, and warm gray, the kind of pattern that reads as architecture before it reads as decoration. Fire Plumes is the part we brought with us: bold, swirling, red-orange-gold against charcoal, the piece that makes it obvious somebody's actually living here now, not just preserving something behind glass.
That's the whole idea, honestly. Not a full restoration, not a museum piece. We're moving back in and bringing some modern touches — keeping the bones because the bones were right, layering in whatever makes it feel lived-in and current.
It's the '20s again. This time we've got a century of style to decorate with.
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